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Also something to note this song was the second single off this album, and went gold. The song also includes some subliminal shots aimed at another former N.W.A. The beat is somehow both dark and energetic as Dre and Snoop go at their enemies to begin the project, with insults ranging from calling Tim Dog’s mom a “dyke,” making fun of the gap in Luke’s teeth, and taking shots at Eazy and Jerry Heller’s business practices.
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The first actual song is a full blown diss track aimed at not only Eazy-E, but Luke of 2 Live Crew and Tim Dog. Fuck wit Dre Day (And Everybody’s Celebrating) (ft.Dre calls Eazy a “penguin looking motherfucker” at the end, which is pretty funny. Pretty straight-forward as Snoop Dogg hypes up the label and their artists, as well as taking the first of many shots at Dre’s former friends Eazy-E, Jerry Heller, and Ruthless Records. This song, dedicated to the “n****s that was down from day one”, serves as the introduction to not only Dre’s solo album, but to his new label, Death Row. So, the question remains: does this album live up to the hype? Is it really as great as it’s success would seem? Let’s find out in this track-by-track review: Work on The Chronic began shortly thereafter, and would heavily feature Snoop, as well as various other artists who would blow up with the success of this album and Death Row as a label. The soundtrack featured the song Deep Cover, which would establish Dre as a solo artist as opposed to a member of N.W.A., and also introduced the world to a rapper from Long Beach known as Snoop Dogg. Death Row began with the release of the soundtrack for the 1992 film Deep Cover.
After financial disagreements ended N.W.A and (largely) Ruthless Records’ reign on hip-hop, Dre flew solo, forming Death Row Records alongside fellow artist The D.O.C., and friend/bodyguard/overall intimidating man, Suge Knight. Dre quickly became one of the most famous producers in hip hop. After previously capturing success with the release of N.W.A.’s 1988 album Straight Outta Compton, Dr. Wolfe will also be at Moogfest in Durham, NC.The Chronic was the debut studio album by Dr. The event is free, but you must register for a ticket here. It’s just that the stuff the radio’s playing, some of that stuff is just horrible.Ĭolin Wolfe's "The Chronic" will be at The Stevens Center in Winston-Salem on 5/1/17 at 7:30 p.m. There’s some good stuff out there, you just have to find it. They outsource their marketing same as anyone else can.
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People figured out how to do it themselves now. Labels are getting less and less, that’s why they’re all merging together. On the music industry today: Colin Wolfe is part of a Venice Beach, CA studio that produces music for film and video games. We looked at each other like “Oh s-, this album is blowin’ up!" So I didn’t realize the impact until I was standing on a corner with a friend, and three out of five cars that passed by was bumpin’ the album. Everybody was putting their all into it.īefore the album came out I actually moved to Atlanta. Not only that, it was Snoop Dogg’s and Tha Dogg Pound’s first major thing. Of course they used a Moog all the time, Bernie Worrell was a master at that thing.ĭuring the time we were making that album was during the riots and all that. We discussed what we wanted the sound to be for this album, and we wanted it to be some crazy, Parliament-Funkadelic sounding like stuff. We actually started using the Moog on the N.W.A. On Moog synthesizers: Moog Minimoog Model D. “Nuthin’ But A G Thang” was a sample of course, but then on the other ones, they would come up with a drumbeat first and then I would put music on that. I was co-writing, coming up with some of the musical ideas on the keys, key bass, bass. Then he left and started doing his own thing - that’s when we started working on “The Chronic” album. So I got the gig, and then started working on the N.W.A. Dre, the whole Ruthless Records camp! And they were looking for a bass player to go on tour with their artist Michel'le. And as I was doing the bass solo, in comes Dr. Someone hired me to play bass at this place called the China Club. Wolfe has composed, produced, and played on hits for Michael Jackson, Madonna, Bjork, Janet Jackson, and Ben Folds, among many others.īut before all that he had a chance encounter with some of the pioneers of gangsta rap. He grew up in Southern California, learning to play piano, bass, and drums as a child. Multi-instrumentalist Colin Wolfe co-wrote the album with Dr.
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The architect of those sounds is coming to Winston-Salem for a free seminar at the Stevens Center on May 1. It put West Coast rap on the map and brought new sounds into the world of hip-hop. Dre’s album “ The Chronic” turns 25 this year.
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